The police have recovered the car, and the Dude has found, wedged between the seats, a page of homework belonging to one Larry Sellers. Walter figures out Larry's address and arrives at his house, the Dude in tow, the homework in a plastic bag. He then makes a brief presentation...The author is probably giving the Coen's a bit more credit that they deserve, but basically the comparison works. And it's a lot more fun to watch this fictional debacle than the real life Walters who have been running our country.
When Larry says nothing, Walter proceeds to Plan B: destroying the new Corvette parked outside—purchased, he assumes, using the money left in the car—with a crowbar. Actually, though, the Corvette belongs to a neighbor. Neocons everywhere can sympathize.
Is this eerie foreshadowing of the second Iraq war coincidental? Not entirely. The Coen brothers created a character with traits that run deep in American culture: unflinching righteousness and a tendency to violence. (He was largely based on John Milius, who wrote and directed Red Dawn, the Cold War-paranoia film that later gave its name to the military operation that captured Saddam.) This character confronts a situation that combines both injustice and the opportunity for material gain. He responds more or less as one would imagine. The Dude's pacifist leanings are no match for Walter's assertiveness: While the Dude's disposition may be admirable, he has little effect on the tide of world events. (Refugees from the 1960s can also sympathize.)
Pages
▼
Thursday, September 11, 2008
This Aggression Cannot Stand, Man
I'm tired of hearing about pigs, lipstick, and unchallenged lies. So instead, how about I share this great reading of The Big Lebowski as a commentary on Neoconservatism?
No comments:
Post a Comment